Daytime Reports
To simplify lighting, a one-person crew will
often work with just two tools: an on-camera light
and a stand-mounted refl ector, Figure 16-41. The
camera-mounted light is typically variable in
light output and powered by its own substantial
battery. Even in daylight, a front fi ll light can
highlight the reporter’s face just enough to
emphasize it against the background.
News camcorders are often fitted with batteries
big enough to power a light as well.
In Figure 16-41, the supplementary light is
a stand-mounted refl ector. Because the camera
person must leave the refl ector unattended while
shooting, it needs to be heavy and relatively
small to resist the wind.
If you shoot the interviewer separately, you can
place him or her in front of whatever background
looks best—even in another location, if necessary.
The shift will be invisible to the viewer, Figure 16-39.
Stand-Up Reports
Segments presented by reporters standing
at the scene of news, sports, or entertainment
events are called “stand-ups.” Even at the
broadcast TV level, reporters often go into the
fi eld with a single technician who must function
as cinematographer, lighting director, and sound
recordist (Figure 16-40).
Figure 16-37 Lighting a one-person interview.
Two-light setup Closeup of the subject
Subject
Figure 16-38 Lighting a two-person interview.
Three-light setup
Reverse setup
features the interviewer
Shot over the
interviewer’s shoulder
354 Video Digital Communication & Production