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Copyright Goodheart-Willcox Co., Inc.
Summary
Classic studio lighting uses three lights on a subject and usually one or more on the
background.
The key to “natural” lighting is soft light.
Background light intensity should be adjusted so that subject and background seem lit by
the same environment, but the subject is slightly brighter.
Lighting locations presents unique challenges, such as lighting small interiors, having
suffi power supply, adequately lighting a large interior, dealing with changing ficient
outdoor light and weather conditions.
In general, lighting should make your subjects look as good as possible.
Specialized light sources should be established by showing them on camera, and then
replaced with a more controllable off-camera light.
Techniques for lighting indoor night scenes include: use low-key mode, establish
practicals, control window light, and light for the highlights.
Other lighting assignments include interviews, “stand-up” reports, compositing, very
small areas, and graphic materials.
Technical Terms
Amperage: In lighting, the amount of electrical current drawn by a lighting instrument.
Cheating: The practice of moving a subject between camera setups, usually to increase
working room, separate subject and background, or fi nd a better-looking background fi
altogether.
Compositing: The process of video recording subjects against fl at, single-color backgrounds, fl
and then digitally replacing the background with other visuals during postproduction.
Day-for-night lighting: A method of shooting daylight footage so that it appears to have been
taken at night.
Glamorous lighting: Lighting that emphasizes a subject’s attractive aspects and
de-emphasizes defects.
Magic hour: The period of time, up to two hours before sunset, characterized by long
shadows, clear air, and warm light.
Rugged lighting: Lighting technique that emphasizes three-dimensional qualities and surface
characteristics of a subject.
Tabletop: Cinematography of small subjects and activities on a table or counter.
Tent lighting: A lighting arrangement in which white fabric is draped all around a subject to
diffuse lighting completely for a completely shadowless effect.
CHAPTER
16
Review
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